
Barber - Adagio for strings. Originally conceived as the third movement of his String Quartet, written in 1936, Barber re-scored it for. Program Notes is a.

Notes for: July 20, 2010 Barber’s Adagio for Strings, his most popular piece, was originally the slow movement of his String Quartet, Op. Today it can be heard in four different settings – as part of the quartet, as an independent piece, as an arrangement for organ by William Strickland, and as a choral setting by Barber of the Agnus Dei section of the Roman Catholic mass. The quartet was an early work – composed in 1936 while Barber was studying at the American Academy in Rome with the support of a Pulitzer Traveling Scholarship and Rome Prize. Barber showed the score to Arturo Toscanini, who asked him to orchestrate the adagio slow movement; the maestro then performed it with the NBC Symphony along with Barber’s First Essay for orchestra. The Adagio is a deliberately paced, melodic chant in step-wide motion with some contrapuntal embroidery that rises to an impassioned climax.
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